Project

Merida

Today is a very important day in Wilfried’s artistic /curatoral course of life, Interactiva’03 – Biennale for New Media Art is starting in Merida/Yukatan/Mexico. It is not the tropical, exotic place hosting a new media art event, but the fact Wilfried was invited by Raul Moarquech Ferrera-Balanquet, curator of Interactiva, to prepare an artistic / curatoral project for the Biennale and become this way a co-curator. The three Rs are standing for “Remembering – Repressing- Forgetting – so the topic is dealing with memory in most different ways- It is not the first time, that Wilfried was inviting a guest curator for one of his projects, but this project includes in all its consequences 8 curators and their curatorial contributions on the topic, a way to present and demonstrate diversity, not only the diversity of different curatorial concepts, but via the selected artists also a diversity of artistic concepts and all in one project, keeping the options to be installed in virtual space (Internet) as well as in the virtual space of a physical exhibition running from CD-Rom on an a computer monitor. Also consequently, Wilfried is curating virtual space, eg. the space available on the user’s monitor. He creates a special exhibition design, for each involved curator an individual interface which is thematically connected with the curatorial contribution. Wilfried’s way of realising his project is in these days very provocative, because he is acting as an artist, as well as the chief curator curating other curators. Probably such ideas can be realized in 2003 only in the experimental context of an experimenting Biennale, because the conventional art scene would not allow such an experiment, yet. Because each curator is coming from a different country, even different continents, The RRF Project v.1.0 is the forrunner of the subsequent global networking project, as it is manifesting itself as RRF 2004 and later. In this way RRF v.1 has a key function for all of Wilfried’s following artistic and curatorial projects. In 2003, it was invitation to initiate the RRF project, later in autumn 2003 he will receive the invitation to participate in the Biennale of Electronic Art in Perth (BEAP2004) starting in September 2004, both invitations have an enormous enncouraging and creative effect on Wilfried, in fact during 2003, Wilfried’s professional course of life will determined already, but Wilfried doesn’t know it, of course. Even if past articles were mentionning already, that Wilfried started on 1. January 2000 his (new) life from point zero, for a better understanding it is necessary to point here again, that in the process of re-shaping himself as a human and artist, these moments giving Wilfried’s creativity a push forward have a fundamental relevance, also in a psychological concern, they stabilize Wilfried’s personality. He will not attend the event in the Maya country Yucatan, he is not prepared, yet for long distance travels, one year later, however, he will be so far to stay several weeks in Australia when he will attend the Biennale in Perth. Wilfried will be visiting Mexico only in 2011.

MACAY – Museum of Contemporary Art Merida

MACAY

The Fernando García Ponce – MACAY Museum is a museum complex dedicated to contemporary, pictorial and sculptural art, located in Mérida, Yucatán, México. It is located in the Plaza Mayor of the Yucatecan capital, in the heart of its historic center, next to the Cathedral of San Ildefonso.
In 1994, during the administration of Governor Dulce María Sauri and with the promotion of Carlos García Ponce, brother of the abstract painter Fernando García Ponce, part of whose work is displayed in the museum rooms, the MACAY was inaugurated occupying the building described above , with the mission of promoting the dissemination of national and international contemporary art. It has a total area of ​​3,500 m2, an area in which the following takes place:

Fifteen rooms for temporary exhibitions, two galleries and four rooms with permanent exhibitions. In the latter, the work of three stellar figures of Yucatecan art is exhibited: Fernando Castro Pacheco, Fernando García Ponce and Gabriel Ramírez Aznar.

There are two interior spaces: the Jardin de las Tinajas and the Expoforo, the latter with a capacity for 500 seated people. Both spaces are used for presentations and public events of various kinds and, occasionally, to be added to the exhibition spaces.

The museum presents a multiple sample of the Mexican national pictorial and sculptural talent. It gathers in its temporary exhibition rooms samples of the work of various national and foreign artists.4

The work of local artists who normally act as hosts to those foreign creators – national and foreign – whose work is presented simultaneously is presented.

Interactiva’03 – Biennale of New Media Art

Interactiva’03 – Biennale for New Media Art – @ MACAY – Museum of Contemporary Art Merida/Mexico
http://www.labcartodigital.org/interactiva/interactiva03/
11 July – 28 September 2003

Agricola de Cologne and
[R]-[R]-[F] Festival – Version 1.0
http://rrf.newmediafest.org/

Curador Ejecutivo/Executive Curator: Raul Ferrera-Balanquet
Curadores Invitados/Guest Curators:
Fatima Lasay, Pooja Sood, Agricola de Cologne
Ensayos/Essays: Laura Baigorri – Heidi Figueroa-Sarriera
Museografia/Museographer: Jose Luis Rodriguez de Arma

The RRF Project 1.0
[R]-[R]-[F] – version 1.0
was launched in 2003 as an individual project in the framework of Biennale of New Media Art Merida/Mexico, and was incorporated in the RRF project environment on 1 January 2005.
review on NEURAL

[R]-[R]-[F] – version 1.0
central interface

The RRF Project has a development since 2003, when on 1 July 2003, version 1.0 was launched. In 2004, independently from version 1.0 version 2.0 was released, only in 2005 both projects version fusioned to version 3.0 – resulting The RRF Project XP

From its structures, [R] – [R] – [F] – Festival is an extraordinary experimental New Media art project in form of an online festival created, programmed and realized by Agricola de Cologne.
Its central subject, abbreviated in the capital letters of the title, is Remembering, Repressing, Forgetting. A new way of art working is practiced: networking as artworking.
Experimental fields of memory are developed by inviting curators from different countries around the globe, eg directors of media festivals or curators specialized in New Media, who have to select a number of artists of their choice according the terms of the project.
The dynamic of this ongoing and continously changing project, as it is set up for being presented in festivals and media exhibitions, manifests itself not only in the artistic online environment,
especially created for [R] – [R] – [F] – Festival, but also progressing when for each new presentation a new project version is created, including new subject related aspects, new curators and new artists and new visualizations of the connected memory fields. Continuously expanding, these memory fields containing curators and artists of the previous project versions,will be always present in the background while slowly a networking universe of collective memory comes up. The project uses the Internet not only as an artistic environment, but primarily also as a communicating medium and a data base which is closely connected to memory and loss of memory, thus the subject of the festival project. The Internet represents not only the ideal medium in many ways, but allows above that direct intercultural networking like no other medium. [R] – [R] – [F] – Festival is closely connected to another net based art project by Agricola de Cologne “A Virtual Memorial – Memorial project against the Forgetting and for Humanity – http://www.a-virtual-memorial.org

Version 1.0 is featuring the curatorial contributions by Wilton Azevedo (Brazil), Anna Hatzianaki (Greece), Branca Bencic (Croatia),, Caterina Davinio (Italy) ,
Fran Ilich (Mexico) , Evgenyi Umansky (Russia), Vincent Makowski (France)Melody Parker-Carter (Germany) and Agricola de Cologne (Germany) .

List of curators and selected artists
the names are connected with the biographies

Wilton Azevedo/Brazil

curates
1. – Andre Vallias (Brazil)
2. – Chris Funkhouser (USA)
3. Komninos Zervos (Australia)
4.. –Tania Fraga (Brazil)

Caterina Davinio/Italy curates

> 1. – Panos Kouros (Greece)
> 2. – Jennifer and Kevin McCoy (USA)
> 3. – Christina McPhee (USA)

Branca Bencic/Croatia curates

1. Lunar
2. Zhel
3. Shirin Kouladije (Canada)
4. Elena Stanic
5. Olja Stipanovic
6. Jelena Vukotic
7. Vanesa Turcinhodzic
8. Petar Brajnovic
9. Tomislav Brajnovic
10. Karo

Anna Hatziyiannaki/Greece curates

the curated contributions, hosted by Artopos – http://artopos.org/projects/rrf/ is using Shockwave, but Shockwve is discontinued since 2017.

1. –Makis Faros
2. –Dimitris Zouroudis
3. –Babis Venetopoulos
4. –Athanasis Beroutsos
5. –Viki Betsou
6. –Joyce Charis

Vincent Makowski/France curates

1. AL (France)
2. Mauro Ceolin (Italy)
3. Arthur X. Doyle (Ireland)
4. Wolf Kahlen (Germany)
5. Cyril Rouge (France)

Eugeny Umansky/Russia curates

1. Eugeny Umansky
2. Jevgeny Palamarchuk
3. Yuri Vasiliev
4. Anatoly Belov
5. Dmitry Bulnygin
6. Oleg Lystsov
7. Alexey Tschebykin

Fran Ilich/Mexico curates

1. Ivan Monroy-Lopez (Mexico)
2. kdag (Colombia/Spain)
3. Judith Villamayor (Argentina)
4. Regina Célia Pinto (Brazil)

Agricola de Cologne/Germany

curates
1. URTICA (Serbia/Montenegro)
2. Trebor Scholz (USA)
3. Darko Fritz (Croatia/Netherlands)
4. Ruth Catlow (UK)
5. Alex Dragulescu (Romania)

Melody Parker Carter/Germany curates

1. Fernando Palmeiro (Spain)

2. Paul Catanese (USA)
3. Tjader Knight Inc. (Finland/Belgium)
4. Osvaldo Cibils (Uruguay)

Artist-in-Residence North Metro TAFE149 Beaufort Street, Perth, Western AustraliaNM TAFE’s Artist-in-Residence is located within the School of Creative Industries, Perth, Australia. The Artist-in-Residence fronts Beaufort Street and comprises living quarters: (2 bedrooms/office), kitchen, laundry, bathroom, living area and courtyard. In addition a spacious studio is attached: a wet area/kitchen and a double shop front which can be used for exhibiting or working or both. The residency is located within the Cultural Centre precinct, serviced by the CAT free bus and within close walking distance to the Art Gallery of Western Australia, the Perth Institute of Contemporary Art (PICA), the Alexander Library, the Western Australian Museum and the entertainment and dining mecca of Northbridge.Invited artists.
Proposals from designers, artists, craft and media practitioners, musicians and organisations who wish to apply to use the premises are invited. Successful applicants will contribute to the to the cultural enrichment of the college and the ongoing education program of Creative Industries students at NM TAFE by exhibiting their work or opening their studios, and conducting public programs such as artist talks and workshops for students and the wider community. Applicants can seek access to accommodation and/or studio. We also facilitate non residential applicants who want to work within the school, immersed in our amazing ceramic, jewellery, print or sculpture studios or use the shopfront as an exhibition or project space.

[R][R][F] 200X —> XP // Remembering-Repressing-Forgetting – the global networking project
has been realised by Wilfried Agricola de Cologne on occasion and invitation of BEAP 2004 – Biennale of Electronic Art taking place between 7 September and 12 November 2004 in Perth/Australia.

The printed catalogue is available as PDF

Agricola de Cologne was requested to create a global networking project dealing with the phenomenon of “memory” in avariety of different aspects. The global aspect is manifesting itself in the Location of the Internet based project, as such, in the concept to research how people from different contries rooted in different cultures, religions and social background deal with memory, by including artists and curators from different countries, cultural, religious and social background. It was the idea to demonstrate this dealing via different “memory channels”, each one dedicated to a different artistic digital medium.

BAEP 2004: Beap curator Jeremy Blank (right) & Agricola de Cologne (center)
While the Biennale exhibitions were installed at numerous art places and institutes, Agricola de Cologne was installed at the artist in residence gallery @ Central Taffe Institute of Technology Perth/Australia in an exchange between virtual and physical space, where he also was an artist in residence. Wilfried’s work was curated by Jeremy Blank, at that time teacher at Central Tafe School for Art, Design & Media which is also running the Artist in Residence Gallery.

[fvplayer id=”65″] video of the installation ant BEAP 2004 in Perth

Concept of The RRF Project installation

Inauguration, presentation and installation

[R][R][F] 2004 @ National Museum of Contemporary Art / Kalinderu MediaLab Bucharest – opening 5 March 2004

[R][R][F] 2004
This represents the starting point for the development of a global networking project which will be operating until the end of 2004. Numerous places around the globe will be participating and presenting [R][R][F] 2004 simultaneously during the year: The first ones which joint the project were Kalinderu MediaLab/Museum of Contemporary Art Bucuresti (Romania), Istanbul Museum (Turkey),
Bethlehem International Center (Bethlehem Palestine), Basics Festival (Salzburg/Austria), Bergen Center of Electronic Arts Bergen/Norway(Norway), PEAM – Pescara Electronic Art Meeting 2004 (Italy), invited are also Hong Kong, New York, Stockholm, Haifa, Madrid, Sevilla, Cologne, Athens, Alexandria and many other places.

From its structures, [R][R][F] 2004 is an extraordinary experimental New Media art project programmed and realised by Agricola de Cologne.

Its central subject, abbreviated in the capital letters of the title, is “Remembering, Repressing, Forgetting”. A new way of art working is practised: networking as artworking. Experimental fields of memory are developed by inviting curators from different countries around the globe, eg directors of media festivals or curators specialised in New Media, who have to select a number of artists of their choice according the terms of the project. The dynamic of this ongoing and continuously changing project, as it is set up for being presented in festivals and media exhibitions, manifests itself not only in the artistic online environment, especially created for [R] – [R] – [F] 2004, but also progressing when for each new presentation a new project version is created, including new subject related aspects, new curators and new artists and new visualisations of the connected memory fields.
Continuously expanding, these memory fields containing curators and artists of the previous project versions will be always present in the background while slowly a networking universe of collective memory comes up. The project uses the Internet not only as an artistic environment, but primarily also as a communicating medium and a data base which is closely connected to memory and loss of memory, thus the subject of the festival project. The Internet represents not only the ideal medium in many ways, but allows above that direct intercultural networking like no other medium.

[R][R][F] 2004
is organised completely online. It includes a variety of online and offline components, an exchange between virtual and physical levels. The basic subject is “Memory and Identity”, the basic operating aspect is “networking as artworking”. Although anything connected to the project is transmitted online, the basic installation aspect is the exchange/combination of virtual and physical space in a physical installation.

[R][R][F] 200x —>XP

An independent cultural production in progress —>

The project was initiated in October 2003 in order to start in March 2004 the realisation of the global network by presenting [R][R][F] 2004 –>XP at Museum of Contemporary Art Bucaresti/Romania, Bergen Electronic Arts Center Bergen/Norway and New Media Art Festival Bangkok/Thailand and later at different places around the globe and starting a variety of associated processes developing and running during 2005 as [R][R][F]2005—>XP, as [R][R][F]2006—>XP in 2006 etc.

[R][R][F] 200x —>XP is an experimental New Media art project created and developed by media artist and New Media curator Agricola de Cologne which he is developing and organising completely online.

[fvplayer id=”846″] The RRF lecture

[R][R][F] 200x–>XP includes a variety of online and offline components
The basic subject –>“Memory and Identity”
The basic operating aspect –>”networking as artworking”.
The basic presentation aspect –>physical installation – the exchange/combination of virtual and physical space.

Due to its complexity, [R][R][F] 200x —>XP is constructed of two parts, a low tech administrative body which contains all relevant project related information in a textual form, and an high tech artistic body based on an interface developed in Flash. Both together form the art work to be transported or distributed via the Internet. The artistic body includes all art related components which may come from most different sources.
The interface of the artistic body refers to the human brain and its complex networking structures by visualizing them in different ways. The essential nodes of connection are reduced to some basic sections , named: “Memory Channels”. Each of these “Memory Channels” (currently eight) is focussing on different aspects of “memory and identity” – the main subject of [R][R][F] 200x –>XP – and may carry some sub-sections as well, modules which contain specific project environments or individual art works.

[R][R][F] 200x –>XP is an interactive environment. Both, the dynamic of the project becomes perceivable and the actual art work comes up only through the activity of at least one single user. But it is not only the activity of using a mouse or keyboard for exploring this net based art environment, but as the result of it the activity which is provoked by using the senses and initiating processes through associating.

In this way, [R][R][F] 200x–>XP does not represent a complete art work, but Internet specific as it is, the project is ongoing. Corresponding to the collage principle the brain is using for its associative system, the project represents rather a framework for options to start processes. By following them, the actual art work can take shape in most individual ways, in a kind of dynamic virtual sculpture, a kind of hyper-dimensional collage or patchwork.

The composition of the work is as simple and simultaneously as complex as it can be. Agricola de Cologne holds the position of a creator who is building an Universe of hisown in which most different networking instances are acting. He is creating a specific system, which is based on filtering, associating and linking on different level, starting from his personal view based on specific filters, then by inviting curators, who select artists of their choice, the next filtering and networking level is installed,. The artists who are selected via curating form the next following level. As they may come from different cultural, religious, political and social backgrounds and more than 45 countries on the globe, they are installing a complex filtering system of their own via the artworks and the specific view the art work is based on. Each included art work has and gets a very special meaning in this networking context.
The active user anywhere on the globe, finally, forms another level by contributing his personal filtering system via associating and reflecting, it is him who is initiating actively processes which lead finally to his personal art work.
The term “global” has a fundamental meaning in many concerns, not only related to the global aspect in terms of this Universe the creator is building, but even more to the networking structure the creator is installing in the global context of this “one” world we all are living in, by inviting/involving/incorporating physical networking instances as curators, artists, institutions, organisations etc, which can form the basis for external/affiliated local networks consisting optionally again of a variety of virtual and physical components, but also in the sense of distributing the specific project contents which may have again complex relations to the term “global”.
Without the existence and the rapid developments of the new (and above all affordable) communicating technologies and the virtual environment of the Internet, which allows communicating in real time to any place on the globe, a project like [R][R][F] 200x –>XP would have never been started .Agricola de Cologne is using these technologies in most different ways according their rules –>the Internet as a whole not only as a database, but as an environment for creating art, for distributing net based art in its various forms and in this way the specific content of his project via the net in real time to any part on the globe.
Thus, “networking” in terms of “ artworking” is not reduced to a certain aspect of artistic creating in which several artists work on a common project under mutual influence and inspiration, but includes all possibible elements and their mutual relation and dependence the actively involved networking instances are producing .
Networking is a specific form of communicating, and communicating as such forms the fundament of the project, in general. Consequently, an essential part of the project consist of components which may become visible only as the result of a communicating process, but are actually acting entirely in the background , as the communicating between the physical networking instances which keep the project running.
The exchange/communication between physical and virtual space has a specific relevance. One main goal of [R][R][F] 200x–>XP represents its installation/presentation in physical space at locations in most different parts on the globe, whereby [R][R][F]200x —>XP does not provide any physical component, but exclusively its art related contents distributed via the Internet. Each single physical installation represents an unique action, not only due to the different conditions space and the dimension the technical equipment may have, but also to the inclusion of new aspects and components in this continuously expanding project environment.
[R][R][F] 200x —>XP is an open system, not in the sense of “open source”, but, independently from any restricting ideology, it is open for all developments which might come .
Agricola de Cologne shows himself as a universal instance which incorporates most different functions in one single person, in first place the artist, but also the programmer & multi-media developer of its content, the creator of an universe of itsown, a director of a virtual institution, the chief –curator who curates curators, the curator who curates artist and contents, the co-ordinator and organiser of virtual and physical events, initiator and central networking instance withing the entire networking structure, but rather as a “primus inter pares” than in an hierarchic sense.

The RRF Project -[Remembering][Repressing][Forgetting] participating artists

100 (The RRF Project) (((controller-band (Germany), 8gg (Beijing /China), A.Andric & I.Vasiljev (Serbia), Abinadi Meza (USA), Adam Beebe-Infanticide (USA), Adam Nash (Australia), Adam Overton (USA), Adam Willets (New Zealand), AGGTELEK (Spain), Agricola de Cologne (Germany), AL (France), Alan Sondheim USA), Aldo Peredo (Chile), Alejandra Perez Nunez (aka Elpueblodechina)(Argentina), Alejandro Delgado (Philippines), ALEJANDRO GOMEZ TOLOSA (Argentina), Alejandro Jaimes-Larrarte (Venezuela), Alessandro Orlandi (Italy), Alex Dragulescu (Romania), Alex Riviera (Peru/USA), Alexander John Castro II (Philippines), Alexander Kharkovsky (Russia), Alexey Tschebykin (Russia), Alfred Anton Po (Philippines), Alfred Mark Trajeco (Philippines), Alfredo Ramírez Castruita (Philippines), Alice Arnold (USA), Alicia Partnoy (USA), Alicia Porcel de Peralta (Philippines), Alison Chung-Yan (Canada), Alison Cole (USA), Alvaro Ardevol (Spain), Amanda Earl (Australia), Amiel Lapuebla (Philippines), Anahi Caceres (Argentina), Anatoly Belov (Bulgaria), Andamio Contiguo (Argentina), André Austvoll (Norway), Andre Vallias (Brazil), Andre Zogholy (Austria), Andrea Ferrari, Fiorella Nicosia, Polytimi Patapi (Italy), Andrea Polli (USA), Andreas Genz (Austria), Andreja Andric (Italy), Andres Ingoglia (USA), Andres Yepes (Venezuela), Andrew François (Australia), Andy Cox (USA), Andy Deck (USA), Anna Friz and Annabelle Chvostek (Canada), Anna Teresa Cabardo (Philippines), Anne Bray and Molly Cleator (USA), Annie Abrahams & Jan de Weille (France), anonymous, Antoine Schmitt (France), Antonia Valero (Spain), Antonio Alvarado (Spain), Antonio Sassu (Italy) – Antony Milton (New Zealand), Antti Sakari-Saario (Finland), Archie Yumul (Philippines), Arie van Schutterhoef (NL), ARM with John Hegre (Norway), Arne Rygg (Norway), Arthur X. Doyle (Ireland), Astrêe Galbiatta (France), Atanas Djonov (Australia), audible3 (New Zealand), Austin Camilleri (Malta), Avi Rosen (Israel), Babel (Canada), Babis Venetopoulos (Greece), Bang-Geul Han (South Korea), Barry Smylie (Canada), Bastard Pop (Germany), Beat Suter and René Bauer (Switzerland), Beatriz Caravaggio (Spain), Beeoff (Sweden), Benjamin B. Kinsley (Australia), Big Orange (Germany), Bill Berry, Mark Palmer (USA), Bjørn Wangen (Sweden), Bluescreen, Cendres Lavy, BNC, Jörg Ritter (Germany), Borras Michael (France), Brian Goeltzenleuchter, Brian Judy (USA), Brian Oliver (USA), brocolis VHS (Brazil), Brody Condon (USA), Brook A Knight (USA)

100 Bruce Eves (USA), Bruce Petty (Australia), Bulent Bas (Turkey), Burak Bedenlier (Turkey), C6.org (USA), Caitlin Berrigan (USA), Calin Dan (Romania), Calin Man (Romania), Camilla Tabagan, (Philippines), Carl Priestly (UK), Carla Della Beffa (Italy), Carlito Amalla (Philippines), Carlo Ahillion (Philippines), CARLO FATIGONI (Italy), Carlos Ruiz-Valarino (Purto Rico), Carmen Pezido (Argentina), Caroline de Lannoy (UK), Carrie Gates (Canada), Casaluce/Geiger (Italy), Cassia Kallenah (Brazil), Catalin Rulea (Romania), Caterina Davinio (Italy) , Catherine Clover (USA), Catherine Rose Lasam (Philippines), Cecilia Lundquist (Sweden), CEZAR LÃZÃRESCU (Romania), Chang-Kyum Kim (South Korea), Cherry Ann Tolentino (Philippines), Cheryl HENG and WhooKiat HENG (USA), Chiara Passa (Italy), Chris Funkhouser (USA), Christian Bermudez (San Salvador), Christian Bøen (Norway), Christian Rupp (Austria), Christina McPhee (USA), Christoph Bruno (France), Chua, Cincia Cremona (UK), Cindy Gabriela Flores (Mexico), Clare Ultimo (USA), Claudia Masin (Argentina), Claudia Sohrens (Germany/USA), Claudia Tribin (Colombia), Claudina Pugliese (Italy), Clemente Padin (Uruguay), Coco Gordon (USA), Colin Black (Australia), Coniglioviola (Italy), Conor McGarrigle (Ireland), Cosmic Jinx (Germany), Craig Macneill (USA), Craig Poirier (Canada), Cynthia Payne (UK), Cynthia Whelan (UK), Cyril Rouge (France), Dagmar Kase (Estonia), Damian Stewart (USA), Dana Levy (Israel), Daniel Gontz (Romania), Daniel Hanequand (Belgium), Daniel Lo Iacono (Germany), Danielle E. Lee USA), Dante Smirnoff (Spain), Darko Fritz (Croatia/Netherlands), Darko Vuckovic (Croatia), Darshana Vora (USA), David Cheung (Canada), David Clark (Canada), David Crawford (USA), David Fujino (Canada), David Guez (France), David McCallum (Canada), David McKenzie (USA), David Phillips and Paul Rowley (USA), David R. Mooney (USA), David Vegezzi (USA), Davida Kidd )Canada), Deb King USA), Deodato Pairez (Philippines), DerWarst (Germany), Dimitris Zouroudis (Greece), Dirk Wichmann (Germany), DJ Noor (Germany), DJ Sascha (Germany), DJRABBI (USA), Dlsan (Italy), Dmitry Bulnygin (Russia), Don Juan Paolo Torres (Philippines), Donald Bousted (UK), Doppelpluss – Brigitte Kuepper (voc/tb/div), Wolfgang Simons (git/sax/div), Konrad Doeppert (synth/perc/div), Peter Wolf (voc/perc/div), Doron Golan (USA), Dorothea B. Wegelein (Germany), Dotcom Poppa Disasta (Germany), Downwind Productions (USA), Dyian Anguelov (Bulgaria), Dylan Graham (USA), ED Mole (France), Eduardo Angel (Colombia)

100 Eduardo Nava (El Salvador/USA), eduardo paz carlson (Uruguay), Edward Marszewski (USA), ego (Italy), Eileen Bonner (UK), Eldad Tsabary (USA), Eleanor Alfante (Philippines), Elena Stanic (Croatia), Elia Alba (Domenican Republic), Elyasaf Kowner (Israel), Emilie Pitoiset (France), Emilio Jiménez Sánchez (Spain), Empar Cubells (Spain), Enrico Tomaselli (Italy), Enrique Radigales (UK), Ensemble All-Tag – Frank Bersziek (sax, bcl), Konrad Doeppert (analogsynth, objects), Matthias Kaiser (violin), Joerg Koenig (git), Eric Flores (Philippines), Eric Parnes (USA), Eric Sandellin (Sweden), Eric van Hove (Belgium), Eric Wennermark (Sweden), Erkki Kirjalainen (/Santtu Rantanen) (Finland), ESTHER BOURDAGES (Canada), Eugeny Umansky (Russia), Eva Lewarne (Canada), Eva Sjuve (Norway), Eyewash (Germany), F.I.M. (Free improvised music cologne) – Nobert Zajac (voc), Matthias Kaiser (violin), Frank Bersziek (sax, basscl), Michael Haverkamp (sax, perc), Karl Kruetzmann (fl, tr, piano), Joerg Koenig (git), Axel Hoeptner (piano), Frank Homburg (sax), Wolfgang Simmons (git), Fabian Giles (Mexico), Fabio Oliveira Nunes (Brazil)Fabio Paolizzo (Italy), Fanny Aboulker (UK), Fatih Balci (Turkey), Feargal O Malley (Irland), Feedbuck Galore (Germany), Fernanda Bragone (Argentina), Fernando Baena (Spain), Fernando Palmeiro (Spain), fishtank – Giovanni Antignano, Fernanda Veron (Italy/Argentina) , Fran Ilich (Mexico), Francesca da Rimini (Australia), Francis Rafael Sanbuenabuentura (Philippines), Francisco Lopez (USA), Franck de las Mercedes (Nicaragua), Fred, Fennollabate (France), Fruit (Germany), Future Remix (USA), G.H. Hovagimyan (USA), Gabi Bila-Günther (Germany) , Gabriel Otero (Argentina), Garrett Lynch (Ireland), GAST BOUSCHET/Nadine Hilbert (Belgium), Gaumen (Germany), Gem Alexandria Tuano (Philippines), Genco Gulan (Turkey), Geniwate (Australia), Geoffrey Thomas (USA), Gerald Schwartz (USA), Gerard Baja (Argentina), Giacomo Picca (Brazil), Gijs Gieskes (Netherlands), Gildardo Cruz Rojas (Philippines), Giles Trendle (UK), Gimo Lanot (Philippines), Gina Bremen (Germany), Gina Valenti (Argentina), gintas K (Lithuania), Giovanni Antignano (Italy),, Giselle Beiguelman (Brazil), Gita Hashemi (Canada), Glenn Bach (USA), Glorious Ninth (Patrick Simmons & Kate Southworth)(UK) , Goh Lee Kwang (south Korea), Grègoire Zabé (F), Gregory Chatonsky (France), Gruppo Sinestetico (Italy), Gudrun Bittner (Austria/Spain), Guido Braun (Germany), Guillaume Dimanche (France), Guillermo García de la Torre (Philippines), Hae-Min Kim (South Korea), Haleh Niazmand (Iran), Hardpressed Collective (Canada/Pakistan), HarS – Harold Schellinx (Netherlands), Helen Thorington (USA), Helga’s Ephemeris (Russia), Hervé Constant (UK), Holger Eggert (Germany), Holly Daggers (USA), Home Team, Hugues Rochette (Frane), Humberto Ramirez (USA/Chile), I8U (Canada), Ian Flitman (UK), Ickejana (Germany), Igor Baskin (Russia), Igor Marinkovic (Serbia) <7font>

100 Igor Ulanowsky (Israel), Ilse Hilpert (Germany), Indira Montoya (Argentina), Irena Paskali (Macedonia), Irene Coremberg (Argentina), Irene Marx (Germany), Irvis Gonzalez (USA), Isabel Aranda Yto (Chile), Ivan Abreu (Cua), Ivan Bachev (Bulgaria), Ivan Monroy-Lopez (Mexico), Ivana Ozetsky & Jadanko Pongrac (Croatia), J Sundheim & Reuss (Germany), J Trautwein (USA), Jack Messenger & Chirstinn Whyte (UK), Jamelie Hassan (Pakistan), Jane Fenton Keane (UK), Janek Schaefer (UK), Janne Vanhanen (Finland), Jaqueline Heer (Germany), Jaromil (Italy), JASON SWEENEY (Australia), jean-françois flamey (France), Jeanne Fremaux (Croatia), Jeff Gurecka (USA), Jelena Vukotic (CRoatia), Jen Ross (UK),, Jen Simmons & Sarah Christman (UK), jen, Jennifer and Kevin McCoy (USA), Jennifer Helia, DeFelice (Czech Republik), Jens Salander /Mikael Stroemberg (Sweden), Jeremy Owen Turner (Canada), Jerusalem Pimentel (Philippines), Jerzy Kolasinski (Canada), Jess Loseby (UK), Jevgeny Palamarchuk (Russia), Ji-Hyun Kim (South Korea), jimpunk (FRance), Jo Cook (Canada), Jo-Anne Green (USA), Joaquin Ivars (Spain), JODY ZELLEN (USA), Joerg Gruenberg (Germany), Joerg Piringer (Austria), Joey, Claronino (Philippines), Johanna Thompson (USA), Johannes Finke (Germany), John E. Bower (USA), John Ervin General (Philippines), John Hopkins (USA), John Johnston (USA), John Kannenberg (USA), John Michael Acevedo (Philippines), John Plenge (USA), Jojoti Wylie (New Zealand), Jon Burgerman (UK), Jon Vaughn (Canada), Jonathan Cardillo (Argentina), Joon-Yong Jung (outh Korea), Jørgen Larson (Sweden), Jose Cuckier (Argentina), Joseph Raz, Jr. (Philippines), Josephine Lipuma (USA), Josh McPhee (USA), Joy Garnett (USA), Joyce Charis (Greece), Juan Alcón (Spain), Juan Antonio Lleó (Spain), Juan Carlos Carrazón (Spain), Juan Del Gado (UK), Juan Devis and OnRamp Arts (Colombia/USA), Juan Domingo Ferris (Spain), Juan Manuel Ruiz (Puerto Rico), Judith Villamayor (Argentina), Judson Wright (USA), Juergen Trautwein (USA), Julian Alvarez (Spain), Julie Andreyev (Canada), Jürgen Bysard Adams (Germany), Kaesha KvK (Germany), Karla Brunet (Brazil), Karo (Croatia), Kathrin Kur (UK/Germany), Katie Bush USA), Katrina De Dios (Philippines), Katrinka Moore (USA), kdag (Colombia/Spain), Kenji Siratori (Japan), Khaled Sabsabi (Lebanon/Australia), Kirsten Reese (Germany), Kirsty Boyle (Australia), Klaudia Kemper (Chile), Klaus Schrefler (Austria), Knut Eckstein (Germany), Komninos Zervos (Australia) , KPHB (France), Kristin Norderval (Norway),Ksenija Kovacevic (Serbia), Kyon (Germany), Larry Caveney USA), Lars Vilhelmsen (Denmark), Laura Amigo (Spain), Laura Chiari (Italy), Laurie Halsey Brown (Netherlands/USA), Lawrence English (Australia), Le Tuan Hung & Ros Bandt (Australia), Le Tuan Hung (Vietnam/Australia), Lea Segarra (Philippines), Lee Kwang, Goh (Malaysia), Lee Welch (Ireland), Leif Inge (Norway), León Ferrari (Argentina), Les Riches Douaniers (France), Lewis LaCook (USA), Li-Chi Hsieh (South Korea), Lionel Wainsztok (Argentina), Lisa Cianci (Australia), Lisa Gye (Australia), LISA HUTTON AND MARK POLISHOOK (USA), Lital Dotan and Eyal Perry (Israel), Liz Miller (USA), Lizamae Orola (Philippines), Lorenzo Oggiani (Italy), Lorenzo Taiuti (Italy)

100 Loy (Poland), Lu(x)z (Germany), Luc Fierens (Belgium), Luca d’Angelo (Italy), Luca di Gregorio (Italy), Lucia Leuci (Italy), Lucky Pierre (USA), Ludovic Guerry alias 20000volt (France), Luigia Cardarelli (Italy), Luke Duncalfe (New Zealand), Lunar (Croatia), Luther Blisset (Netherland), Lynne Williams(UK), Magnus Torstensson (sweden), Maite Camacho (Spain), Makis Faros (Greece), Malte Steiner (GE), Manuel Schiesches (Germany), Mara Infidelious USA), Maral Yakshieva (Russia), Marc Garrett UK), Marc Lee (Switzerland), Marcello Mercado (Germany), Margarida Paiva (Portugal), Maria Blondeel (Belgium), Maria Miranda (Australia), Maria Papadimitriou (Greece), Mariam Ghani(Afghanistan/USA), Marianne Holm Hansen (Denmark), Marielle Nadal (France), Marina Zerbarini (Argentina), Mark Amerika (USA), Mark Anthony Alvarado,, Mark Kammerbauer (USA), Mark Mangion (Malta), Mark Polishook (USA), Marko Stamenkovic (Serbia), Markus Christian Koch (Germany), Marta Sacco (Argentina), Martin Koplin (Germany), Mary Grace Tenorio (Philippines), Mashica (Spain), Mason Petrie (USA), Massimiliano Viel (Italy), Matt Roberts (USA), Matt Rogalsky (USA), Matze Schmidt (Germany), Mauro Ceolin (Italy), Max Haiven Canada), May Trubuhovich (Australia), Maya Kalogera (Croatia), Maysa Arabit Philippines), Medea (Austria), Melinda Rackham (Australia), Merwin De Mesa, Jr. (Philippines), meta (USA), MEZ (Australia), Michael Angelo Lampayan (Philippines), Michael Crane (USA), Michael Grimm (Australia), Michael Kargl (Austria), Michael Sagcal (Philippines), Michael Sellam (France), Michael Szpakowski (UK), Michael Takeo Magruder (USA), Michael Yuen (Australia), Michel Cleempoel (Belgium), mIEKAL aND (USA), Miguel Carlos Labra (Philippines), Miha Ciglar (Slovenia), Miika Nyyssönen (Finland), Mike Haskett (Sweden), Mike Salmond (USA), Miklos Legrady (Canada), Mikrokiko (Germany), Milos Jovanovic (Croatia), Mira Burt-Wintonick (Australia), Mireille Astore (Australia/Lebanon), Miss Johnny (Germany), Mollum (Germany), Monica Delgado (Philippines), Mostra (Germany), Moya Devine (USA), Mustafa Maluka (South Africa), mutantlab (USA), Myron Turner (Canada), Nadja Kutz (Germany), name diffusion (France), Nancy Atakan (Turkey), Nancy Jane Moore (USA), Nancy Mauro-Flude (Australia)
Nanette Wylde (USA), Natalia Ludmila (Mexico), Natalie Bewernitz + Marek Goldowski (Germany), Nathaniel Stern (South Africa), navn (Bulgaria), Nazrin, Neide Jallageas (Brazil), Neil Jendon (Canada)
Néstor Olhagaray (Chile), Nicholas Ruiz III (USA), Nick Barker and Rob Jacobs (UK), Nick Fox-Gieg (USA), Nicolas Clauss (France), Nicolas Economos (USA), Nicolas Ojeda (Argentina), Nicole Lawter (Australia), Nikki Johnson (USA), Niko Loren Dela Cruz (Philippines), Nita Mocanu (Romania), Norie Neumark (Australia), NOTUS (USA), Noya Abdelaziz (Egypt), Oleg Lystsov (Russia), Oliver Dyens (Canada), Oliver Griem (South Korea), Olivia Lopez (Argentina), Olja Stipanovic (Croati)

100 Omar Emir Barquet (Brazil), on Air (Spain), Oren Ben Yosef (Isarel), OSTROWSKI (Poalnd), Osvaldo Cibils (Uruguay), otium (Belgium), Owen Plotkin (USA), Ozge Yilmaz (Turkey), Pablo Bas (Argentina), Päivi Hintsanen (Finland), panoptica (Canada), Panos Kouros (Greece), Pat Badani (USA), Patricia Carini, Patrizia Alemanno (Italy), Pau Pascual Galbis (Spain), Paul Alexandru (Romania), Paul Catanese (USA), Paula Gimenez (Argentina), Paula Miiklosevic (erbia), Paulo Vinluan (Philippines), Pawel Janicki (Poland), Per Pegelow (Germany), Petar Brajnovic (Croatia), Pete Stollery (USA), Peter Jacobi (Romania), Peter John Sprenkeler (Australia), Peter Lind (Denmark), Peter Prautzsch (Germany), Petra Lindholm (Sweden), Pierre Elie Mamou (France), Pierre Portelli (Malta), Pierre Proske (France), Pighed (UK), popcrash (Bulgaria), Post-Exile Collective (Pakistan), PRISM/lars nagler (Austrai), Procemik (Germany), Rafael Alcalá (Puerto Rico), Raivio Keelomes (Estonia), Ramesh Srinivasan (India/USA), Raphael Lyon USA), Raquel Meyers & Raul BB (Spain), Raquel Partnoy (USA), re:combo (Brazil), Regina Célia Pinto (Brazil) , Remigio Coco (Italy), Renee Kellner (Austria), Restate (USA), Reuben James Preston (UK), Ricardo Baez (Venezuela), Ricardo Mbarak (Lebanon), Ricardo Miranda Zuñiga (USA/Nicaragua), Richard Monge (Puerto Rico), Rick Silva (USA), Rika Ohara (USA), Rikki Carmelo Baranda, Criselda Cac (Philippines), Robert Ciesla (Finland), Robert Dohrmann (USA), Robert Echen (Argentina), Robert Finder (USA), Robert Kendall (Canada), Robert Labor (France), Robert Sazdov (Australia), Rodrigo de Toledo (Brazil), Rogelio Santos, Jr. (Philippines), Roland Schappert (Germany), Roopesh Sitharan (Malaysia), Rosa Revsin (Argentina), Rozalinda Borcila (Romania/USA), rüdiger schlömer (Germany), Ruediger Axel Westphal (Germany), Ruth Catlow (UK), Ruth Irupe Sanabria (USA), Ruth Kathryn Santiago (Pgilippines), Ry Sedrick Bolodo (Philippines), Ryan Griffis USA), RZL – Luca Fruzza (Italy), Sabine Scholz (Italy), Sabrina De Leon (Phippines), Sachiko Hayashi (Sweden), Sadiq Bey (USA), Sandra Crisp (UK), Santiago Perez Alfaro (Mexico),santo-File (Spain), Sarah Savage (Canada), Sarawut Chutiwongpeti (Thailand), SCART, Scott Becker (USA), Sebastian Tomczak (Canada), Seng Tat Liew (Malaysia), Serge Smilovich (USA), Sergej Jakovlev (Russia), Sergej Teterin (Russia), Sergio Varela (Argentina), Sergiu Negulici (Romania), Seth Lew USA), Sharon Harper (USA), Sheryl Valencia (Philippines), Shilpa Gupta (India), Shira z. Carmel, Shay Kun (Israel), Shirin Kouladije (Canada), Simon Fildes and Katrina McPherson (UK), Simon Longo (Italy), Sinasi Gunes (Turkey), skylined (Germany), Sol Kjok (Norway/USA), Somaya Langley (UK), Sonic Kitchen (Germany), SonicBoost (Geramany), Soundso – Bettina Wenzel, Brigitte Kuepper, Norbert Zajac, Peter Wolf (all vocal), Speranza Casillo (Italy), Ste van de Minng (Germany), Stefanie Alice Vandriesche (Spain), Stephane Barron (France), Stephane Tomora (France), Stephanie Bouvier (France)

90 Stephen Dixon (Sweden), Stephen Gard (USA), Steve Bradley/Timothy Nohe (USA), Sue Huang (Sweden), Suguru Goto (Japan), Susan Collins (UK), Susana Mendes Silva (Portugal), Svetlana & Andi Wallwhore (USA), swag (Germany), Sylvestre Evrard (France), Szabolcs KissPál (Hungary), TACTICAL20 (USA), Tae Hong Park (South Korea), Tamar Schori (Israel) , Tamara Lai (Belgium), Tan Chui Mui (Malaysia),, Tania Fraga (Brazil), Tautvydas Bajarkevicius (Lithuania), Team of Get Carded (USA), Thadeus Frazier-Reed (USA), Thanasis Beroutsos (Greece), Thanos Chrysakis (GReece), Thomas Petersen (Denmark), Thomas Reiner (Australia), Thorsen, Lossius, Bastiansen (Norway), Thorsten Wieckert (Germany), Threadbare Coalition (Canada), Tigran Tovmeysyan
Tiia Johannson (Estonia), Till Nikolaus v. Heiseler (Germany), Tim Coster (New zealand), Tim Nikolai Hoffmann (Germany), Timothy Bowen (USA), Tjader Knight Inc. (Finland/Belgium), Tobias C. van Veen (Canada), Todd Jokl (USA), Tolya Glaukos (Germany), TOMAS PHILLIPS and DEAN KING (Canda), Tomislav Brajnovic (Croatia), Toni Mestrovic (Croatia), Trace Reddell (USA), Trebor Scholz (USA), Trevor Thomas (USA), triggerMotion (Germany), Trond Lossius (Norway), Tsila Hassine (USA), Tsunamii.net (Thailand), Un Mundo Feliz, Guerrera de Interfaz (Spain), Uriel Colomo (Philppines), URTICA (Serbia/Montenegro), user (ctrl) (Italy), UsineDeBoutons (Lionello Borean+Chiara Grandesso) (Italy), Valentin Chincisan (Romania), Valery Grancher (France), Vanesa Turcinhodzic (Croatia), Ventsislav Zankov (Bulgaria), Vicdan Nalbur Tasdemir (Philippines) , Viki Betsou (Greece), Vince Briffa (Malta), Vincent Paul Samson (PHilippines), Vladimir Todorovic (Serbia), Wehrtheater Leineweber (Germany), Welmo E. Romero Joseph (Puerto Prico), Werner Cee (Germany), wildfirejo (UK), Wilton Azevedo (Brazil), Winchell Saludares, (Ph), Winston Yang (China), Wirecrossing (Singapore), Wittwulf Y Malik (Germany), Wolf Kahlen (Germany), Won-Kon Yi (South Korea), x mac dunlop (UK), Xavier Cahen (France), Xavier Leton (France), Xavier Malbreil & Gérard Dalmon (France)
Ximena (Spain), Yevgeniy Fiks (USA), yosuke hayashi (Japan), Yuri Vasiliev (Bulgaria), Yvonne Martinsson (Sweden), Zhel (Croatia), Zoltan Pabon (Philippines), Zulma Ducca (Philippines)

00. Interactiva 03 Biennale for New Media Art
Museum of Contemporary Art Merida/Mexico – June-August 2003